Betty Eisner’s first LSD trip
October 10, 1955

Excerpted from Betty Eisner’s unpublished memoir “Remembrances of LSD therapy past” (2002), pages 4-6.

For more on Betty Eisner, see her biography entry.

Searching through the accordion-pleated files of time for the context of that experience takes me back to 1955, to the beginning of LSD research in the western United States and to my own first knowledge of the drug. There was that notice on the UCLA Psychology Department requesting a graduate student for a doctoral thesis on the effects of a new and unusual drug. In the recesses of another fold of memory from who knows where or when, came: “I’ll bet that research is about LSD!” (There had been an article in LOOK magazine.)

I yearned to apply to Sidney Cohen, M.D., the author of that request, but I couldn’t; I had almost completed the work for my own infertility studies, and the time loss was much too great for my own dissertation on infertility. Next best was to send a friend, and one was handy, Lionel Fishman. He hadn’t seen the notice, but was very interested. However, before telling him the details, I extracted his promise that I be the first subject if indeed the research were on LSD. Lionel, or Fish, as we called him, talked to Dr. Cohen, signed on with enthusiasm, and didn’t forget his promise. After Dr. Cohen and Fish had their own trial experiences with LSD, I indeed became their first research subject. The original quotation at the beginning of this was part of the report on the LSD session.

I remember my intense interest in their study, but I didn’t have much time to kibitz, as I was dragging myself out of bed at 4:30 a.m., trying to finish my dissertation. I had passed the write doctoral exams at UCLA the spring of 1955, the same year that my son arrived to join his three-year old sister. (I figured that gave me an M.A. at least twice over – at school and at home.) I was pretty far along on my dissertation, too, as I remember, at the point of getting judges to categorize the Rorschach responses of the women who couldn’t get pregnant as contrasted to women who had at least two children and no difficulty getting pregnant. At the same time, I was doing that pre-sunrise scene in order to write on the dissertation. I was in no position to add any other activities.

But I did add just one – serving as subject for the Cohen- Fishman study. Lately, just recently, all I could remember of that first LSD experience was that I was constantly being interrupted in my LSD experience in order to take tests. In the Draw-a-Person I remembered the courtly French cavalier type I drew for the man. (In contrast, my report – thank heaven for the necessity to write a report:

“I wanted to draw Little Lord Fauntleroy...I didn’t want to put it down. But my honesty made me do it, although my defensiveness changed it into a courtier at the time of one of the Louis’. That way it was more acceptable.”)

With the Draw-a-Person, one first draws the way one sees oneself. I had just remembered the courtier more strongly. Also, as I first remembered, the woman I drew was in a hoop skirt, I remembered this from the same period. (Ah, memory! The actuality of the first figure I drew, a woman, was quite different, thank heavens for records!)

“I drew an old-fashioned little girl – and at the same time I really didn’t want to – knowing I was drawing myself. And I came up with a little girl where the head didn’t belong to the body. The legs were all grown up but the head was a vapid child’s head. And the dress was of the Victorian era.”

It was a terrible experience to reveal oneself so clearly, and it was also humiliating to be asked to perform tasks when I couldn’t concentrate; I couldn’t think; and the tasks seemed meaningless and irrelevant. For instance:

“It was the word association test, and I was completely set to cooperate and to give associations. But with the first word I realized that it was impossible. There was no association present at all. It was as though the word had been released into a great bubble of space-time and hung suspended there. It had no relationship to anything. And since it was completely irrelevant, I couldn’t even attempt to find a word to go along with it. It would be like trying to answer a question on color with a bar of music.”

“I tried to tell them what it was like – it was as though I was in the middle of a wide wonderful pasture – free and green and full of sunlight, and something was going on back at the fence that they wanted me to do. I was in the pasture, but the word association test was part and parcel of the fence – which is only an artificial barrier with no real intrinsic meaning to the freedom of the pasture. It was trivial, and there was no association of any kind, so I begged off. It was almost impossible to see how intelligent people could expect to find meaning to life (which was the pasture) in contemplating designs of the fence. And suddenly I saw the difficulty. Life is the warmth and the flowing and the three-dimensionality – but it comes overwhelming to a man who must compress it into one dimension and flatness and barrenness in order to deal with it. And this necessity to deal with it comes when he tries to go somewhere. It is the motion of trying to go – trying to get some place is the difficulty – it is the cause of the descent from Eden. Because the minute that one tries to go someplace or to ‘be’ someone or something, then one is not content to let things be. In our ardor to “be” something, we lose personal life – and must content ourselves with this poor, flat, tawdry imitation... the illusion had become a reality.”

Betty Eisner's Los Angeles: "UCLA Tenth Reunion, 26 October 1955," courtesy USC Libraries.